Not going to lie, I was not Ke$ha’s biggest fan, but I did like her catchy music hits. She disappeared for a while and came to find out she was in a huge battle with her producer, Dr. Luke, who is an alleged rapist and douche-bag that tried to hold her to her 6-album contract even after the alleged raping. Read more about it here on Billboard.com
I am happy Kesha is making music again and I respect and idol her more for her actions and for the quality of this album!
What. A. Night. Two of my Top-Five Favorite Bands playing at the same venue…on the same night. I wish Nathaniel Rateliff and The Nightsweats had played a little longer, but Kings of Leon had to take the stage at some point, right?
Nathaniel Rateliff previewed a couple of new songs as well as playing a good mix from their first two albums. They sounded just as good as I remember when I saw them play at Chicago Theatre last year, but brought some new dance moves to the stage – like James Brown!
Kings of Leon opened their set with a mechanical beating heart and Conversation Piece. Believe me, this is a show I will be talking about for a while. I mean…here I am writing about it. The show progressively became brighter and brighter and their visuals were artistic and obscure. I loved every minute of it!
One of my favorite moments was about 1/3 of the way into the set when the curtain falls and they bring out a tiny drumset, 2 acoustic guitars, and a bass. Caleb comes out on stage first and begins to play Milk solo, and then they join him one by one as the song progresses. After a couple of songs on the tiny set, they transition into Walls, and during the climax of the song, the curtain rises exposing a very brightly lit stage with tons of screens and contours and more musicians that I remembered the band having to begin with. Apologies for the run-on sentence, but the sight was overwhelming and awesome.
The lighting cues, graphic visuals and treatments were unique to each song. Impressive to say the least. My only regret was not upgrading my seat to “the pit” section where I might have had the chance to catch a guitar pick or drumstick. But at the same time, I’m really happy no one scuffed my shoes and I had plenty of room to dance.
The pictures and video don’t do the production justice, but I hope you still enjoy them.
As I listen to Arcade Fire's new album for the um-teenth time on repeat, I think I am finally able to put my reaction into words. Everything Now is just that.
This album is about everything that is happening right now. Today's technological world and reliance: both beauty and ugliness of it.
The title track, Everything Now is the setting of a city or a world we live in where anything is accessible at any time we want…i.e. The Internet, which is a recurring theme in the album. Another thing I love about this album is that it was written as a cohesively, melodies and rhythms that are heard from song to song. The album starts upbeat and cheerful with the first few tracks, which were released in order every week or so leading up to the release of Everything Now. Then the light-hearted and fun songs in the middle, and a somber digital ending that really left me questioning having all of my personal data online… 🤔
Creature Comfort is a bit more serious as it reminds me of too many of today's youth putting their entire lives online and justifying their actions with likes and comments.
My favorite songs include Peter Pan, Put Your Money on Me, Electric Blue, Chemistry, and all the other songs…it's a great album really! I haven't been able to skip any songs. Whatever Arcade Fire is doing, they should not change the formula.